Press Reviews

• Faith Gibson, Emeritus Professor of Social Work, University of Ulster

  The vast scope of the work recounted in this book as well as the detailed guidance it provides will become an invaluable resource for anyone who wishes to mine the riches of reminiscence work and to transform the spoken word into tangible artistic forms.

• Signpost

  This highly-readable and engaging book is drawn from the experiences of working within the arena of reminiscence theatre. Everyone has a voice - Schweitzer has provided another avenue for us to explore. Impressively.

• Cambridge University Press

  Schweitzer demonstrates an uncanny ability to adapt and invent genres and techniques. Schweitzer provides compelling accounts of workshop exercises during which older participants describes their experiences of scarcity and constraint and challenged their younger partners to recognize and grapple with the limitations on personal freedom and control that these entailed.

• Journal of Social Work Practice

  It is inspirational in demonstrating that the dedication, commitment and enthusiasm of one person can make a difference and has laid foundations which will ensure reminiscence theatre work will continue to develop and diversify.

• Leveson Newsletter

  This book is a marvelous treasure chest of experience and will enrich any reader.

• Occupational Therapy for Older People

  This book is aimed at anyone- health or social care staff, actors, musicians, artists, teachers - who has an interest in creative reminiscence and in how to transform individual's verbal memories into interactive pieces of theatre. The book systematically and comprehensively outlines the processes involved in the various forms of re-enacting reminiscences. Whilst it acknowledges some of the body of research into this area and illustrates how the author has contributed to research projects, it is the use of practical examples and the occasionally moving dialogue and anecdotes that bring the book alive and help to illustrate the value of reminiscence. The author's conviction that presenting reminiscence in this way is beneficial is convincingly relayed to the reader. It is a valuable resource for anyone with an interest in creative reminiscence to enhance self-identity and esteem.

• Dramatherapy

  This is a welcome addition to an era of literature that is somewhat sparse and it will certainly be of great interest to theatre workers, social work professionals as well as carers of older people, arts therapies practitioners and students in these fields... This is a well-structured book that is easy to read and assimilate. What I found most useful were the introductions to each chapter briefly outlining what was contained therein, and the summary at the end, which I felt consolidated the understanding of what one had read. To complete the enjoyment, the book is shot through with some stunning photographs of the various projects that Schweitzer undertook (the "child aspect" in me loves a book with pictures) during her long association with Age Exchange Theatre. One example is a particularly poignant picture of an elderly couple enacting their wedding day memories. The author's enthusiasm and passion for reminiscence work shines through the text and her regard for all the people that she has worked with is always evident. The many examples of the company's work will act as a spur for all practitioners in this field and should lead to some really constructive work between generations in the future. The main message of the book stresses that it is really important to keep memories alive, they are, after all, lived experiences and the history of future generations.

• Nursing Older People

  This book certainly leaves the reader with a very clear understanding of the aim of reminiscence theatre and the diverse nature of approaches. I particularly enjoyed the multicultural projects that described the cultural isolation of older people when they moved to England from overseas.

• Interrogational Practice Newsletter

  In her book, "Reminiscence Theatre" Pam Schweitzer draws on and documents 23 years of practical experience as Artistic Director of Age Exchange Theatre Trust which she founded in 1983. It is a memoir, a history of Age Exchange's pioneering theatre and intergenerational practice and also a practical "how to do it" manual, with useful analysis of the many processes of making theatre from memory.

• from the Foreword by Glenda Jackson MP

  Sheds new light on complex human issues and the message is loud and clear: reminiscence and reminiscence theatre can make a profound improvement in real people's real lives.